Monday, 1 March 2010

Not such a great deal

So MFX's much vaunted fire sale of Sonic Screwdrivers is under way....

....and the magic price is £145!!!!

Nice.

Until you do the math.

Let's see.....

£145 for Sonic Screwdriver

Plus

£43.92 for shipping (£5.89 if you live in UK and £63.25 if you live 'down under')

Plus

17.5% VAT chargeable on both sonic and shipping

[Plus any customs duties/import tax and admin fees at you end (up to 25% in some places)]

Equals....


£221.98 (+  up to £47.23 local duties)!!!!!!!!!!!!!!

All in all, still more expensive than my sonic at £217 inclusive of p&p and NO duties payable (and mine is screen accurate and has sound :-))

The real winners will be UK customers who will only have to pay £177.30 in total, about £40 less than mine. Still, with the differences in product having been pointed out, is my sonic worth £40 more? That depends on what you're after and what compromises you will accept for an extra £40 in your pocket.

I just feel sorry for MFX's overseas customers. They are not getting a good deal but certainly getting a slightly better deal than you poor fuckers who bought then at full price in the first place. 

MFX Replicas bites the dust

Following on from my last blog post regarding the MFX fire sale Neill Gorton posted the following on the RPF yesterday:

"Hi all

There’s an announcement going up on the website tomorrow but thought I’d give RPF members a heads up and a bit more detail about a change at MFXReplicas. Our license for Doctor Who prop replicas is up for renewal and I’ve decided to not to continue with it. There are some very simple reasons for this and, even though I’d find the speculation amusing, the reality is fairly mundane and has been planned for and anticipated by us for the past twelve months.



First and foremost our Replicas are a business and one that has been running for over 5 years. When we launched we also, as a little sideline, began selling how to DVD’s and more recently ready-made prosthetics. Last year we re-branded the site MFXWarehouse when it became apparent that our other lines where actually becoming a much more viable and profitable business than the Replicas. The Replicas are enormously time consuming and, due to the fact that we’ve kept production of them in-house to maintain quality, they’ve always been a low profit margin cottage industry and, frankly, a bit of a labor of love. I looked in to stepping up production and outsourcing manufacture to China a couple of years ago but was never wholly satisfied that I’d be able to manufacture to the quality and standard I, and our customers, would demand.



Another factor has come in to play in the past five years and that is the success of the parent company “Millennium FX” and our teaching facility, the “Neill Gorton Prosthetics Studio”. They’ve both continued to go from strength to strength and we had an outstanding year last year with huge projects such as “The Wolfman” to our name and the demands on my time have meant it’s become increasingly more and more difficult to find the time to develop new lines for MFXReplicas. So, last year, knowing the license was coming up for renewal this spring, we made a decision to start reviewing the viability of the Replicas line and weigh up whether we’d continue pursuing the replicas business or concentrate our efforts on the more profitable and, frankly, easier to manage aspects of our business. We re-branded the website in anticipation of this being a possible direction for us. Ultimately, when we reviewed the business, it was clear that the investment of time and money required to compete with other companies, in what is already a saturated market, just didn’t make sense. Why fight and gamble financially to be a medium sized fish in a big pond when, with our core business of Film and TV special effects doing so well, we’re already a big fish in a small pond! For five years the Replicas has existed as a ‘bolt on’ business and to turn it in to a much bigger concern would take an enormous investment and shift in our core business practice. Looking forwards we realized that, to make it a more viable and profitable business, we’d need to diversify in to other licenses outside of Doctor Who and the cost of doing this, tooling for new product lines and the financial investment, and time investment, to get them up and running, was simply too big a push when my core team is already stretched managing our existing diverse interests and the demands on my time in other areas are already stretching me.



You may have noticed that there’s more DVD’s on sale on the website recently. We can shoot and edit a DVD in a fraction of the time it takes to develop a new product and at a fraction of the cost and it can all be done in house without a licensor to please. In addition we take 100% of the profit. In the past year we have made a better profit from DVD’s and ready-made prosthetic than Replicas and with a fraction of the effort. Taking in to account the time, effort and economics it’s become a no brainer!



In addition to all of this I have a little Gorton coming along in June and also wish to make more time for my family. So, somewhere, something’s got to give. As much as I’ve loved making these replicas I’ve got to make a sensible business decision. The end of the license period is a natural cut off point and is also one of the driving factors for our Mad March Sale. When the license runs out we have to stop selling replicas so we have to shift the remainder in the next four weeks. There’s not a lot left so it really is first come first served.



So to all of you who have bought our products and been great supporters and collectors of our products thanks for a smashing five years and those of you that have them I hope you continue to enjoy them in the coming years.



Obviously anyone buying a product in the coming month will still get full customer support beyond the end of March as it’ll still be business as usual at MFX and MFXWarehouse.

Best wishes and thank you.

Neill "
 
This basically confirms what I've heard for a while now: that MFX have lost/returned their Doctor Who merchandise licence and as of April 2010, MFX Replicas will effectively cease to exist. Now Neill Gorton may put a positive spin on it to save face but the account from a reliable source says otherwise. The BBC have revoked the licence due to various issues.
 
At this point you may expect me to start celebrating however I take no satisfaction in this. Some may paint it as a victory of sorts. If it is, it's a pyrrhic one. My issue with MFX has always been that they should not have got the licence to produce prop replicas of props they didn't make in the first place. This opinion has been utterly vindicated by their woefully substandard Sonic Screwdriver.
 
When producing replicas of their own original pieces, such as the Cybermen heads, Oods and other heads and masks, they excel and their pieces would not shame any display. That they will not be selling these anymore is not only a shame but will also encourage recasting.
 
One thing in the above statement does bother me:
 
"I looked in to stepping up production and outsourcing manufacture to China a couple of years ago but was never wholly satisfied that I’d be able to manufacture to the quality and standard I, and our customers, would demand."


This statement is patently untrue. If Gorton had swallowed his pride, used his undeniable intelligence and applied some basic business acumen he could have taken me up on my offer to help him and this whole situation would never have arisen.

I still maintain that I can bang out screen accurate, high quality sonic screwdrivers, cyberman heads, Auton heads, Ood heads and Davros heads for a fraction of the price he is currently shelling out, all day and night if I have to. Everybody wins. Sadly, this was not to be.

Friday, 26 February 2010

The MFX Sonic Screwdriver - Coming to a Pound Shop near you soon

I received the following email today from our friends at MFX:


 It would appear that all is not well at MFX Replicas. Ever since I pointed out how shit and inaccurate the MFX sonic screwdriver was, it seems that sales have been less than vigourous. Combine this with the frantic phone calls Gorton has been making to every Doctor Who merchandise retailer in the land to try and offload these sonics and the fact that Gorton has now resorted to giving them away as prizes on the RPF, it doesn't take a genius level IQ to figure out that something has kaiboshed MFX sonic sales.

The above email, spin it how you like, is the last gasp of a desperate man trying to offload a job lot of crap sonics. This is sad news for two reasons:

First, it devalues the product. If Gorton is standing by the product and insists it is so good, you wouldn't need to go to such desperate lengths to shift inventory. Giving them away is even worse. If something is worth selling, it's worth selling for money and if it's good, then it's worth selling for lots of money. Giving it away just makes you look desperate and tells the entire world exactly what you think of your product. If this ploy doesn't work, I wouldn't be surprised if we see Gorton flypitching them out of a suitcase down Portobello Market:





Secondly, this is a surefire way to seriously piss off his loyal customers - customers who have paid a premium to get hold of one of his sonics on the back of misleading and false advertising claims and whose money, paid upfront as pre-orders,  has funded their production.  If he's going to seriously cut the price after 5 months, the least he could do is give those who ordered either a refund of the difference or a credit note equivalent to the differences in the two prices. Dropping the price like this is a cuntish thing to do, however you look at it.

To be honest, I wasn't really surprised by this. There have been murmurings from inside MFX for a while that things have not been rosy in regards the state of their licence. I won't let the cat out of the bag just yet but do not be surprised if MFX's laser screwdriver and master's ring never see the light of day. I've always maintained that licences should be awarded to those that produce the best product. That opinion still remains. I am more than happy to pay a licence fee and go legit but sadly the BBC licencing department are a bunch of feckless cunts who refuse to engage me in any kind of meaningful dialogue so what can I do?

Anyway, just to prove I'm not a total dickhead, I urge those cheapskates out there for whom accuracy and quality are unimportant, swan along to http://www.mfxwarehouse.com/ on Monday and pick up a cheap sonic :-)

Tuesday, 23 February 2010

RPF Custom Sonic Competition

I've got word that some of the RPF crew are holding a 'custom sonic competition'. Aside from the fact that the rules are a bit half baked and open to some serious gamesmanship, the idea behind it is a good one and I hope it inspires lots of great designs.

Personally I would either have a found object custom sonic competition or a totally machined competition. A mishmash of both really penalises those without access to lathes and CNC tools. Obviously me entering would have been a no-no since I would wipe the floor with the competition (with the exception of Rylo - a supremely talented machinist and propmaker but not quite in my league yet).

The best custom sonic I have seen thus far is this:



This is a lovely piece of work made from found bits and really has a balanced, solid and functional design. I especially love the end bulb section. Straker could do a lot worse than to refine and develop this design.

One thing I have found funny is that first prize is an MFX Sonic. Says a lot methinks that MFX has resorted to giving them away. Quite sad considering it was supposed to be a limited edition. Still, the product does speak volumes.

Good luck to all the participants and I hope they produce some cool shit.

Monday, 22 February 2010

CT Vs MFX - The heavyweight showdown of the century

This is it, the long awaited side by side comparison shots. I'll be completely honest here and state that would prefer a straight up comparison of my Tennant season 3-4  sonic with the MFX but I have been bugged stupid by some of you that I thought I'll compare my Season 1-2 version with it just to give you an idea as to what an utterly different beast it is to the MFX and also to lend the lie to Gorton's laughable claim that I have copied his (which I completely shotgunned anyway, after posting a video of mine in action 24hours before the first MFX's shipped).

Anyway, here are the contenders...

In the blue corner, we have the MFX. Ludicrously inaccurate, mis-sold, expensive and reliability issues. No sound and shit packaging to boot. Claimed to be a faithful replica of the filming but is anything but. However, it is officially licensed by the BBC so you get a nice colour printed cardboard tag and hologram sticker :-)

In the red corner, we have me and my sonic. Arrogant, abrasive and with a healthy dose of madness with  an eye for detail. My sonic has been cooking for three years and is a true 1:1 replica of the Season 1-2 prop (in truth it is bang on to Season 2). Cheaper, better machined, sound and light and with a nice presentation box. This has been better engineered and made using superior equipment and materials but is unlicensed.

The intro's over, LET'S GET READY TO RUUUUUUUUUUUUUUUMBLE!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Let's start with some straight forward comparison shots:







As you can see,  the differences pointed out in my previous blog become readily apparent. The end bulb, finish and lens cap immediately stand out. The MFX just looks 'wrong'.

Let's take a close-up comparison of the head:


The finish is completely wrong on the MFX and the proportions and dimensions are all over the place. The head should look elegant and slender yet on the MFX there is a squatness and cylindrical look. Compare with my head which looks more balanced, more slender due to the correct window placement and thicker struts. Overall detail in the MFX is incredibly low with dull edges and lack of definition especially in the struts which need to stand proud of the main body in order to avoid the flat cylindrical shape the MFX exhibits.

The lens cap is also the wrong shape and colour. The prop possessed a shiny gloss cap of dark blue yet the MFX has a dull matt finish and the incorrect colour. The shape is also wrong in that it is a partial hemisphere. The prop possessed a straight cylindrical side topped with a hemisphere as does mine. It also varied in height depending on who assembled the prop so therefore the lens cap sometimes sits quite high up in the emitter head  showing more of the straight sides and sometimes low. I have adopted a mid position often seen during Season 2 as seen here:

Following on from this, take a look at this shot:


The MFX lens aperture and lens cap are too wide. The difference in strut profile is also painfully apparent.

The final comparison is with the end caps:


The MFX endcap is substantially incorrect. It looks too boxy and squat. The original props had some degree of variance in their dimensions but the overall shape still fell within certain parameters of a millimeter or so. All exhibited a noticeable and distinctive taper. The MFX endcap is just plain wrong bears little to no resemblance to any filming prop.

Compare to the original filming prop MFX claimed to have copied:


And the 2005 Season 1 prop:


Here's what the MFX endcap should remind you of:




Yes, your eyes deceive you not, it does look very similar to a CO toy endcap!

So there you have it. Knockout I think.

Monday, 8 February 2010

The blind leading the blind

I have noticed a disturbing trend on Doctor Who message boards especially amongst the Cosplayers, (that sad and lonely but generally harmless subset of fandom), that whenever anyone asks a question regarding costumes, one gurning idiot appears as if by magic.

This idiot goes by the online name of 'Timelord25' or 'Manofsteel25' but his parents know him as 'Bob'. Like the Candyman, he materialises dressed in an appalling caricature of Tom Baker's season 12 outfit gurning like a simpleton to offer his definitive and authoritative advice on all matters concerning Who costumes.

Nothing wrong in that, if this cocksicle actually possessed even a modicum of observational ability. Sadly, he doesn't. However, undeterred by this fundamental handicap he enthusiastically bluffs, blunders and stumbles his way through the finer points of Doctor Who sartoria with all the finesse of Stevie Wonder in a knocking shop. Anyway, Mr Bob Mitsch has teamed up with a character we all know and love, Mr Daniel Pawlik aka 'Risu' to produce Tom Baker's Season 12 neckerchief  with what he can say with "certainty that it's at least 90% accurate to the real thing.".

Allow me to show what a deluded fuck nugget this man is.




Pic on the left is Baker's screen worn neckerchief. Right is Mr Mitsch and his "90% accurate" replica.
 
As you can see, they look NOTHING alike. The base colour is wrong for a start. Pattern is utterly wrong and the stripe colour is like nothing I've seen. How it can be "90% accurate" is anyone's guess. Obviously Mr Mitsch's mathematically ability surpasses his observational ability.
 
Blind leading the blind? Blind and dumb leading blind and dumber.
 
In the very near future I shall be expanding into costumes and for the first time ever I shall make museum quality, accurate costume pieces available to you all. Judging from the mess above, it can't come a moment too soon...

The moment you've been waiting for...

It's been a bit quiet around these parts since before Xmas and for that I can only apologise. There is a perfectly valid reason for this and that is:



As you can see, I have finally finished this. Behold, possibly the finest replica every to grace Doctor Who fandom!!! I shit you not, this thing is spectacular and I am justifiably proud of it. Bragging rights be damned, I feel I have made the best Sonic Screwdriver replica ever made and I will beat the shit out of anyone who thinks otherwise.

This has taken up nearly three years of my life and the personal and financial cost has been extreme but I am a stubborn bastard and I refuse to let this dream die. So what have we got? Well, I'll tell you:


  • Accurate dimensions to the filming prop to within 3 thousandths of a millimeter. Yes, 3 microns!!!

  • Accurately coloured and shaped lens cap. Note the straight sides below the dome and accurate Pantone matched blue (yes Primrodo, I am using Pantone...)

  • Screen accurate paint with baked lacquer automotive top coat

  • Screen sampled sound chip and working LED light

  • Hardware machined from 303 stainless steel, brass and 2218 Duralumin.

  • Fully strippable using screw threads with tight tolerances throughout.

  • Machined solid perspex internal rod

  • Correct ridge thickness and shape (the ridges were too thin by 50% on my prototype due to my mistake in scaling)

  • Corrected the emitter windows with the correct radial curves on the corners (again they were 50% too small due to a mistake in scaling)

  • Serial numbered on the internal battery compartment

  • Storage case near identical to those used by the BBC prop department to store the actual prop (here's a screenshot of the prop in the BBC workshop in Cardiff to prove it):
    Here it is in action:



    Many apologies to those that have ordered. There was a delay in shipping caused by typical Chinese bureaucracy. I had originally shipped these out two weeks ago but Chinese customs deemed that shipping a device with batteries already installed was against regulations and therefore they returned them and I have had to repack each and every one and redo the shipping paperwork. Anyway, they have left now and anyone who has ordered will have their's in the next 7-10 days.

    To ease the wait, here's some pics. This is one seriously groovy replica:
      









    Enjoy the pics and hope to be separating you from your money soon xx

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